![]() ![]() In the Audio tab of the Inspector window, change “Dialog Normalization” from -24 to -31.* Leave everything else as is and click on the Preprocessing tab.Ĭlick on the Compression Preset pop-up menu and change it from “Film Standard Compression” to “None.” Leave everything else as is. Double-click on the AC3 File preset in the Batch window to edit the preset. ![]() Drag the AC3 File preset onto the Surround icon in the Batch window. ![]() Navigate to the Apple folder, then Audio Formats. Go to the Settings window (if it’s not visible, open it via the Window menu or Command-3). Click “Add Surround Sound.” A new window will appear.Īssign each of your mono audio files to its corresponding channel by 1) dragging it from the finder to the channel button or 2) clicking on the channel button and navigating to the file, then clicking OK. If the “Choose a template for your batch” window appears, click Cancel. Open Compressor 4 in the Final Cut Pro X folder in Applications. However, you will need to use Compressor to turn your mono audio files into a single AC3 file. USE COMPRESSOR TO CREATE AN AC3 AUDIO FILE If your ProRes 422 Quicktime video file is approximately 35 Gb or less, you won’t need to compress it in Compressor. You will end up with six mono audio files, each labeled for their corresponding speaker: left (L), right (R), center (C), left surround (Ls), right surround (Rs) and low-frequency effects or subwoofer (LFE).Ģ. Listen closely to make sure there are no problems with it. Your audio will record to disk in real time. If this requires a conversion, choose “Tweak Head (Slowest)” for Quality.Ĭhoose Convert After Bounce to minimize the chance of glitches and errors during your bounce. We recommend 48/24 for your sample rate and bit depth. Make sure your Bounce Source is the “5.1” I/O setup preset. EXPORT 5.1 AUDIO FILES FROM PRO TOOLS Choose Bounce to Disk. It will appear in Encore as if your audio is in surround, but the disc will actually be in stereo.ġ. *There’s a bug in Adobe Encore that results in the following situation: if you add any content such as black leader or credits to your Quicktime movie in an Adobe Encore timeline, Encore will create a new stereo audio stream that will replace your 5.1 audio. Ideally, your Quicktime would be video-only, but if it contains audio you can easily remove that audio in Adobe Encore. This guide assumes that you have already exported a ProRes 422 Quicktime of your FINAL EDIT (including leader, slate, countdown, credits, etc)* and that you have edited and mixed your audio in the Mix Suite (room 1413-the only FVNMA room with surround sound capabilities) in a 5.1 Pro Tools session, in sync with the Quicktime. For instructions on burning a standard stereo Blu-ray, see the other Blu-ray guide on our blog. This guide covers how to set up and burn a Blu-ray from a ProRes Quicktime file and 5.1 audio exported from Pro Tools. External Firewire Blu-ray burners are available for checkout from the Media Center. Blu-ray burning via Adobe Encore is possible in all of the FVNMA 3rd floor editing suites (323-5, 328) and in the 9th floor CRIT general access lab as well as rooms 519, 819 and 714 at the computers that are labeled with “BLU-RAY” stickers. For more complex authoring, consult the Encore manual, CS6 help menu and/or other resources like. 3/29/13 This guide will help you burn a simple looping Blu-ray disc with no menus and a 5.1 audio track. Burning a 5.1 Blu-ray with Adobe Encore rev. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |